Vitra Akari 1AY, Isamu Noguchi, 1951
Table and floor lamp Akari 1AY by Vitra
(Isamu Noguchi, 1951): In 1951, American/Japanese artist and designer Isamu Noguchi started to design the Akari Light Sculptures, a total of over 100 hand-made Shoji-paper models for table lights, standard lamps or ceiling luminaires. For the name of this lighting series he chose the word "akari", the Japanese terms for brightness, light. Collection Vitra Design Museum.
"The light of Akari is like the light of the sun filtered through the paper of shoji. The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun – so that its warmth may continue to fill our rooms at night." (Isamu Noguchi)
"The light of Akari is like the light of the sun filtered through the paper of shoji. The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun – so that its warmth may continue to fill our rooms at night." (Isamu Noguchi)
Shoji-paper of Isamu Noguchi. Wire frame.
430 x 260 x 260 mm.
430 x 260 x 260 mm.
Product.Nr.: 20157003
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| Noguchi_Akari_Assembly-Instruction_eng.pdf | 0.12 MB |
Designer furniture and Akari lightings by Isamu Noguchi
Isamu Noguchi, born in 1904 in Los Angeles to the Japanese poet Yone
Noguchi and the American writer Leonie Gilmour, studied at Columbia
University and the Leonardo da Vinci Art School. He subsequently
established his first independent studio and received a Guggenheim
Fellowship in 1927. He then worked as an assistant to Constantin
Brancusi in Paris and presented his first solo exhibition in New York. He studied brush drawing in China and worked with ceramics under
Jinmatsu Uno in Japan. His experiences living and working in different
cultural circles are reflected in his work as an artist. Isamu Noguchi
is considered a universal talent with a creative oeuvre that went
beyond sculpture to encompass stage sets, furniture, lighting,
interiors as well as outdoor plazas and gardens. His sculptural style
is indebted to a vocabulary of organic forms and exerted a sustained
influence on the design of the 1950s. “My father, Yone Noguchi, is
Japanese and has long been known as an interpreter of the East to the
West, through poetry. I wish to fulfill my heritage”, he wrote in his
proposal for a Guggenheim Fellowship. Isamu Noguchi died in New York in
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