LC7 Siège Tournant, Le Corbusier, 1928 – Vitra Miniature Design Museum

LC7 Siège Tournant, Le Corbusier, 1928 – Vitra Miniature Design Museum
Vitra
LC7 Siège Tournant

 

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451,00 EUR
 

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Vitra Miniature of the Miniature Collection, Vitra Design Museum. Le Corbusier classified seating furniture into four groups upon the basis of its primary function: relaxation, comfort, conversation or work/eating. Consequently, the Siège Tournant is utilized not only in the office, but also at the dining table. This upholstered swivel chair made of tubular steel was first introduced in 1928 as part of an interior by Charlotte Perriand, who represented Le Corbusier’s office at the »Salon des Artistes Décorateurs«. The basic form of the Siège Tournant recalls a bentwood model of the Thonet company that was often used by Le Corbusier for the furnishing of his own architectural interiors. However, in the case of this chair, the legs, seat and backrest are visually distinguished as three separate structural elements, and their connecting points are reduced to a minimum. The sole difference between the Siège Tournant and a stool created at the same time is the combination arm- and backrest, which is formed out of a piece of bent steel tubing, enveloped in leather upholstery and mounted on the seat surface.
Material: Nickel-plated tubular steel, leather cushions.
Miniature, scale 1:6. 85 x 124 x 99 mm.

Manufacturers of the full-scale (1:1) model – since 1965 Cassina S.p.A., Meda/Milano, Italy.
www.cassina.com

Product.Nr.: 20255201

Designer furniture by Le Corbusier at lachair.com

Le Corbusier, born Charles-Edouard Jeanneret-Gris in 1887 in La Chaux-de-Fonds, Switzerland, studied painting and architecture at the local École d’Art. In 1907, he worked for Josef Hofmann in Vienna, where he also made the acquaintance of Adolf Loos. Another important influence came when he was working in Paris in 1909 for over a year in the practice of Auguste Perret, a pioneering exponent of building with reinforced concrete using steel. During this period, he also visited the architect and urban planner Tony Garnier in Lyon. It was not long before Le Corbusier was focusing on modern reinforced concrete architecture. n 1917, he moved to Paris. Since he only had a few architectural commissions at the time, he spent much of his time painting, producing mainly still lifes. In 1919, Le Corbusier joined the painter Amédée Ozenfant and the poet Paul Dermée to found the journal “L’Esprit Nouveau”, in which he first began using his pseudonym in 1920. In 1922, Le Corbusier produced an urban planning concept for a Ville Contemporaine – a “contemporary city with a population of three million”. In 1925, he collaborated with his cousin Pierre Jeanneret on designing a two-storied pavilion for the Exposition Internationale des Arts Décoratifs in Paris. The avant-garde architecture of that pavilion was complemented by furnishings of functional design and paintings by Le Corbusier, Ozenfant, Fernand Léger, Jacques Lipchitz and others. By 1927, Le Corbusier was among the leading practitioners of the New Architecture designing the housing for the Weißenhof Settlement in Stuttgart. From 1927, he collaborated with Pierre Jeanneret and Charlotte Perriand to produce designs for functional furniture – including the LC4 chaise longue – which they showed at the 1929 Paris Salon d’Automne. Around 1942, he formulated his “Modulor” theory, which was Le Corbusier’s term for a system of proportion based on the Golden Mean that he used in his architectural designs, especially in his large-scale urban planning projects. Intended to facilitate architecture on a human scale based on an objective system, the Modular still remains one of the most controversial of Le Corbusier’s theoretical approaches to architecture. Le Corbusier also made substantial contributions to architecture theory as a co-founder of the Congrès International d’Architecture Moderne (CIAM), which first convened in 1928. In 1952, the first Unité d’Habitation was finished in Marseilles, followed by further modular residential units in other locations. Le Corbusier designed the pilgrimage chapel of Notre-Dame-du-Haut at Ronchamps in 1955. Le Corbusier died in 1965 in Roquebrune-Cap-Martin.



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