LC2 Faut. à Grand Comfort, Le Corbusier, 1928 – Vitra Miniature Design Museum

LC2 Faut. à Grand Comfort, Le Corbusier, 1928 – Vitra Miniature Design Museum
Vitra
LC2 Faut. à Grand Comfort

 

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Vitra Miniature of the Miniature Collection, Vitra Design Museum. In 1922, Charles-Edouard Jeanneret, better known as »Le Corbusier«, and his cousin Pierre Jeanneret founded an architectural firm that was joined by Charlotte Perriand in 1927. The three designers introduced the armchair »Grand Confort« in 1929 as part of an interior created for the »Salon d’Automne« in Paris. The most prominent constructive feature of this armchair is the clear distinction between the load-bearing frame and supported elements. In concurrence with its programmatic name »Grand Confort«, the armchair’s chrome-plated tubular steel frame and the five voluminous, orthogonal leather cushions evoke both comfort and formal reduction.
Material: Nickel-plated tubular steel, leather cushions.
Miniature, scale 1:6. 117 x 121 x 128 mm.

Manufacturers of the full-scale (1:1) model – since 1965 Cassina S.p.A., Meda/Milano, Italy.
www.cassina.com

Product.Nr.: 20255101

Designer furniture by Le Corbusier at lachair.com

Le Corbusier, born Charles-Edouard Jeanneret-Gris in 1887 in La Chaux-de-Fonds, Switzerland, studied painting and architecture at the local École d’Art. In 1907, he worked for Josef Hofmann in Vienna, where he also made the acquaintance of Adolf Loos. Another important influence came when he was working in Paris in 1909 for over a year in the practice of Auguste Perret, a pioneering exponent of building with reinforced concrete using steel. During this period, he also visited the architect and urban planner Tony Garnier in Lyon. It was not long before Le Corbusier was focusing on modern reinforced concrete architecture. n 1917, he moved to Paris. Since he only had a few architectural commissions at the time, he spent much of his time painting, producing mainly still lifes. In 1919, Le Corbusier joined the painter Amédée Ozenfant and the poet Paul Dermée to found the journal “L’Esprit Nouveau”, in which he first began using his pseudonym in 1920. In 1922, Le Corbusier produced an urban planning concept for a Ville Contemporaine – a “contemporary city with a population of three million”. In 1925, he collaborated with his cousin Pierre Jeanneret on designing a two-storied pavilion for the Exposition Internationale des Arts Décoratifs in Paris. The avant-garde architecture of that pavilion was complemented by furnishings of functional design and paintings by Le Corbusier, Ozenfant, Fernand Léger, Jacques Lipchitz and others. By 1927, Le Corbusier was among the leading practitioners of the New Architecture designing the housing for the Weißenhof Settlement in Stuttgart. From 1927, he collaborated with Pierre Jeanneret and Charlotte Perriand to produce designs for functional furniture – including the LC4 chaise longue – which they showed at the 1929 Paris Salon d’Automne. Around 1942, he formulated his “Modulor” theory, which was Le Corbusier’s term for a system of proportion based on the Golden Mean that he used in his architectural designs, especially in his large-scale urban planning projects. Intended to facilitate architecture on a human scale based on an objective system, the Modular still remains one of the most controversial of Le Corbusier’s theoretical approaches to architecture. Le Corbusier also made substantial contributions to architecture theory as a co-founder of the Congrès International d’Architecture Moderne (CIAM), which first convened in 1928. In 1952, the first Unité d’Habitation was finished in Marseilles, followed by further modular residential units in other locations. Le Corbusier designed the pilgrimage chapel of Notre-Dame-du-Haut at Ronchamps in 1955. Le Corbusier died in 1965 in Roquebrune-Cap-Martin.



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